In celebration of the holiday season, receive a complimentary 1994 Christmas Mobile, crafted in 18kt gold-plated stainless steel, with any full-priced jewellery purchase of $550 AUD or more. Offer available for a limited time or while stocks last.
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2025 HEART Pendant
The 2025 edition of the Heart Pendant in sterling silver, designed by Regitze Overgaard for Georg Jensen in 2001, captures the elegance of a wood shaving's natural curl. The smooth silver curves reflect Overgaard's signature organic style, blending contemporary design with timeless craftsmanship.
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Product details
Item number: 20001675
Materials: Sterling Silver
Measurements:
H: 18 mm / 0.71 inches.
W: 18 mm / 0.71 inches.
L: 450 mm / 17.72 inches.
45 cm 1.9 mm anchor chain – can be shortened to 43 or 41 cm using the jump rings
Regitze Overgaard is a standout among standouts. She finished training as a goldsmith in 1970 and graduated from the Copenhagen School of Arts and Crafts in 1976. She has collaborated with Georg Jensen since 1987 and has designed a number of the brand’s most successful designs.
Regitze Overgaard is a standout among standouts. She finished training as a goldsmith in 1970 and graduated from the Copenhagen School of Arts and Crafts in 1976. She has collaborated with Georg Jensen since 1987 and has produced a number of the brand’s most successful designs including the popular Magic, Infinity, Zephyr and Curve collections. Early in her career, her unique ability to capture nature’s organic yet infinite lines in precious metals won her attention from art and design world luminaries. She pioneered the organic design style, perhaps more than anyone else did. Her inspiration may come from the light of a Nordic summer sky or water cascading over rocks or simply from movement. With distinctive elegance and purity, her jewellery expresses a freshness and modernity that radiates light and life. Regitze Overgaard works from the premise that jewellery should be as simple as possible; it should be the shape of the metal that wields artistic power, rather than external adornment. Her jewellery combines lightness and volume–the balance of this contrast is very difficult to strike. There is also an ongoing allusion to the human body in her work. This is important in any jewellery–the interaction of the metal with its wearer. In Overgaard’s works, the form of the piece respects the natural curves of the body and accentuates it with a sense of style, elegance and individuality. Overgaard’s collection betray a keen eye for the sublime forms that exist in nature.
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